(P) = production

(W) = workshop

(R) = reading




T. by Dan Aibel at American Theater Company, May 19 - June 25 (P)

Too Heavy For Your Pocket by Jiréh Breon Holder at Roundabout Underground, Fall 2017 (P)


Come and Gone!



Test Match by Kate Attwell, P73, April 3 (R)

House Plant by Sarah Einspanier, Ars Nova OutLoud Series, March 30 (W)

Eddie and Dave: A Fictionalized Tale of Van Halen by Amy Staats, Atlantic Theater Company, March 23 (W)

peerless by Jiehae Park at Marin Theatre Company, March 9 – April 2 (P)

Too Heavy For Your Pocket by Jiréh Breon Holder at Alliance Theatre, Feb. 4 - 26 (P)



The Pen by Julianne Wick Davis and Dan Collins, Inner Voices series for Premieres NYC, TGB Theater, Oct. 3 - 29 (P)

Lady Tattoo by Meg Miroshnik, Rattlestick Playwrights Theater, Sept. 12th @ 7pm (R)

The Forcings by Kevin Artigue, JAW – Portland Center Stage, workshop July 17-Aug. 2nd (W)

Eddie and Dave: A Fictionalized Tale of Van Halen by Amy Staats, Berkeley Rep Ground Floor, residency June 5-19 (W)

The Yes Ready Within by Mat Smart, Primary Stages, Fresh Ink Reading Series, May 18 (R)

Some Bodies Travel by Jireh Breon Holder & Tori Sampson, Yale School of Drama, Carlotta Festival of New Plays, May 7-14 (P)

The Forcings by Kevin Artigue, New York Theater Workshop, reading series, April 11 (R)

Nordic Ambition by Philip Howze, Lincoln Center Education, Jan 1- 3, March 29-April 2,  (P)

The Last Class: A Jazzercize Play by Megan Hill, Dodo Theater Collective, Feb 17 – March 6 (P)

Cam Baby by Jessica Moss, Roundabout Underground Reading Series, February 12 (R)

Still by Jen Silverman, The Juilliard School, Feb 11-20 (P)                                                                                                                     



peerless by Jiehae Park, Yale Repertory Theatre, November 27–December 19 (P)

A Delicate Ship by Anna Ziegler, The Playwrights Realm, Aug 18-Sept 12 (P)

Dance Nation by Clare Barron, Perry Mansfield/Atlantic Theater Company, June 8 – 13 (W)

Nordic Ambition by Philip Howze, Of Our Own by Matthew Capodicasa, Donna’s First Brazillian by Lydia Blaisdell, Theater Masters, Aspen (Feb 1-3), New York (April 30 – May 2) (P)

Crash by Zhu Yi, Dixon Place, May 31 (R)

The Last Class: A Jazzersize Play by Megan Hill, The Claque, May 27-28 (WP)

The Hallower by Liza Birkenmeier, Ars Nova, May 11-15 (W)

How to Separate Your Soul From Your Body by Bryna Turner, Rutgers University/EST, April 1 (R)

peerless by Jiehae Park, Cherry Lane Mentor Project, March 4- 14 (WP)



No More Sad Things by Hansol Jung, The Lark, Sept 23-27 (W)

Scratchland# by Noelle Janaczewska, Yale, Windam Cambell Festival, Sept. 19 (R)           

Okay, Bye by Joshua Conkel, Steppenwolf Theatre Company, July 26-Aug 24 (P)

Ermyntrude and Esmeralda: A Naughty Puppet Play adapted by Hunter S. Kaczorowski, Ars Nova - Ant Fest/EST, June 13-15 (P)

Movers and Sons, various writers (The Falcons), Clubbed Thumb, May 27 (W)

Skyscraper by David Auburn, NYU Stella Adler Institute, May 7-14, (P)

At the Rich Relatives adapted by Mallery Avidon, Target Margin Theater, Yiddish Lab, Feb 20-22, (P)

The Moors by Jen Silverman, The Playwrights Realm, Jan 12-22 (W)